Entertainment

The fact that Lady Gaga started out the way she did, versus the way this album expresses its connection to that same dance culture. This is not baring all things down to that aspect, but it certainly is a good dynamic to measure the scales of that energy. Lady Gaga use to be so over the top with everything about the music, and Joanne was an album I feel she pretty much let those things go sadly. I do believe the sentiments behind her reasoning considering on a mass level the death of your father's sister can be a bit personal and intimate, for toning things back with all the key elements that made her shoot to the top three way she did. Talent being one of those things most certainly but I'm just not sure it's present on Joanne, musically, lyrically, the aesthetics behind the production.

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It's a fight between The Boss and The Queen of Pop on the current week's Official Albums Chart as new records by Madonna and Bruce Springsteen clash for the Top Spot. Bruce's Western Stars - his nineteenth studio collection - as of now drives the path over Madonna's fourteenth LP Madame X by barely short of 16,000 consolidated deals on the most recent Official Chart Update.

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It’s interesting to see the way this album stands being that it’s so well documented now where Rihanna’s next album is projected to land in terms of genre (on the larger scale as far as conceptualism is concerned). I’m having the feelings that there are a lot of clues into the general directorial position in the next Rihanna album by what we already have in our music collections today. ANTI is a complex and dynamic album perceptually, sonically, lyrically, and conceptually, that Rihanna and many additional personnel spent countless time on, the continuation of this seems inevitable considering the fact that she has a crown engraved onto a human sized portrait of herself in her childhood form. I bet you ANTI can be a blueprint for everything that is to come when thinking in terms of conception, subsequent to the “Never Ending” hitmakers soon to be follow up.

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Nicki Minaj has been staying under the radar in 2019. Besides showing up close by Chris Brown on his single "Wobble Up," the Young Money rapper has just discharged a bunch of freestyles since her 2018 collection Queen, however, it would seem that that is going to change. On Wednesday (June 12), Nicki took to Twitter with a tweet that just read, "MEGATRON," leaving fans to guess what she could be alluding to. Under 24 hours after the fact, the rapper gave her Barbz some more knowledge, uncovering that it's a tune and it will drop very soon.

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Sometimes an album can baffle you so distinctively, my ears can’t believe how debilitating this Cuz I love You album by Lizzo is and that coming from me is not overhype or any hype for that matter. Any album that is boosting the element of self-esteem with a continuum of ingenuity & intention is a Gold contender in my opinion. For her newest collection Cuz I Love You, it just magnetizes its way in the lane of Classics for the long haul of it all.

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I don’t take pride in the fact that I left myself behind with the experience of Cardi B’s debut album Invasion of Privacy, I mean just the title freaks me out a little. Truth is I’m very selective with what I raise hype around musically and Cardi B’s brand has not been anything close. Not only that but she’s the mere competition of Nicki Minaj (for the moment being that is), and that's just being a frankly honest as I can be as to why am I so late to Invasion of Privacy. I care a lot about Rap & Hip/Hop so I do take it to heart what these musicians claim their about so I can clearly dodge the bullet or bless my music experience. One thing that has been working for Cardi B though, is the team behind her music meaning co-writers and her producers. A lot of times these co-production folks get left out of the hype when everyone is so busy trying to commercially uplift the star. Another thing that has worked for her commercial consumption is her gang related background (specifically the ‘Blood’ gang culture), past mixtapes, and her stripper past which have all been documented in a proliferate fashion. She was already very present online for a lot of people before her “Bodak Yellow” single even jumped off because she had already been so well relatable with her different lifestyles. Those are mostly a lot of the elements that has kept me away from the content, embarrassingly enough, as I’m not into celebrating “pussy popping” or popping pills I mean come on “pussy popping in a church” that’s on a whole nother dynamic and I just can’t. Also Cardi B in this album had to prove her part that she could compete with the guys (not really sure if she succeeded) because that’s something Nicki Minaj is known for in which Cardi B wants to be like so bad

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It's really good to hear another passionate album from the first lady of ‘crunk R&B’ Ciara and what’s made this even sweeter is that Beauty Marks is an album that she published under her own label, something extremely new for her. It's very interesting as this can riskingly take an artist to strange places if things don’t work out as expected. These are different times when thinking in comparisons of where music began in how it was released, distributed so on and so forth. Well don’t underestimate these artist out here, it seems to have been something that Ciara has had a successful time adjusting to.

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A hands down refreshing, rare, and beautiful video to surface online over the weekend, on the first day of June to be exact, was the camaraderie of Megan Thee Stallion and the original ‘Baddest bitch’ from Miami, Female MC Trina. Trina’s message to watchers went along the lines of acknowledging the reasoning behind Megan’s stage name, “Do you know what a ‘Stallion’ is, that mean you live, you big, you thick, you all the way Live, she’s in there right now and we’re all driving a boat, I don’t pull up for nothing I pulled up for my girl Meg because she’s organic, she’s fine as fuck, and she’s in the 305 and that’s my sister I came out to make sure she has a good time aight.”

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“All of our relationships - from first love, through failed love, to great love - all become a part of you, so that none are ever really over, and once you accept both the dark and the light, you may find that the darkness brought you to the light” says Katy Perry.

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The rapper said right off the bat in January that she would have liked to discharge a collection in the spring, around a similar time that her presentation dropped, in spite of the fact that that date (April 6) has since left.

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The arrival of "Crave" pursues on the impact points of the collection's first single, "Medellin," highlighting Maluma, just as "Future" with Quavo and "I Rise." Directed by Nuno Xico, the "Crave" cut opens with Madonna recounting a verbally expressed word piece, coming full circle with her releasing a winged animal from the top of a New York City lodging square. The winged animal theme sticks around all through the remainder of the video as Madonna and Swae Lee play out the track, in the end meeting up on the rooftop before the finish of the clasp.

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"Wish Wish" is the most recent single to originate from Father of Asahd, following the past arrival of "Higher," including John Legend and the late rapper Nipsey Hussle. Father of Asahd likewise includes stanzas from Jay-Z, Beyoncé, Nas, Travis Scott, Future, Post Malone, Chance the Rapper, SZA, Meek Mill, Lil Wayne, Big Sean, Jeremih, J Balvin, and that's only the tip of the iceberg.

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Victoria's Secret's obsolete and biased comprehension of female excellence has been accepting reaction for a long time, however a 2018 Vogue meet with the brand's head advertising officer, Edward Razek, brought a progressively unwelcome dimension of consideration. At the point when inquired as to why the show wasn't increasingly comprehensive of larger size models and transgender ladies, Razek reacted: “No, I don’t think we should. Well, why not? Because the show is a fantasy. It’s a 42-minute entertainment special.” 

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“I love you and I totally understand,” she said at the Fashion Nova Event of hers in Los Angeles. "Once you have money, everybody just wants to take it from you, or sometimes you just have, like, your own personal problems." She relayed, "When you’re a celebrity, everyone wants to sue you, everyone wants a piece of the money that you work for — and it’s very frustrating. Then you have, like, the whole world looking at you, no privacy, it’s crazy. I can’t even imagine if you do it for such a long time like her."

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Madonna has dropped another track from her up and coming collection, Madame X, this time as a team with Rae Sremmurd's Swae Lee. The melody, "Crave," is a sultry pop number about craving someone else and was delivered by Mike Dean, a continuous colleague with Kanye West. "My cravings get dangerous," Madonna warbles. "I don’t think we should play with this." Lee strides in for a smooth-talking section halfway through the track.

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With a goliath "X" referencing her approaching Madame X Album, Madonna showed up laying on the stage, flanked by greenery scenes behind her. Before long, she wasn't the sole Madonna on the stage, as different manifestations of her multi dimensional self skipped and cha-cha'd around to the scoring tune simultaneously adding an unusual but fresh dynamic & aesthetic to the performance. The execution incorporated a ton of fascinating CGI to improve the regularly developing setting, which included downpouring rain and blasting impacts of clouds and shading.

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In an announcement, Madonna says, “I wrote ‘I Rise’ as a way of giving a voice to all marginalized people who feel they don’t have the opportunity to speak their mind. This year is the 50th anniversary of Pride and I hope this song encourages all individuals to be who they are, to speak their minds and to love themselves.”

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Under two months in the wake of dropping "Sally Walker," Iggy Azalea lines it up with her new single "Started." Delivered by J. White ("Sally Walker"), the proud banger discovers Iggy conveying reckless rhymes went for her haters. “I started from the bottom and now I’m rich,” raps Iggy. “I started to say sorry, but fuck that shit / You started  out hatin’, now you love my drip.”

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Bhad Bhabie and Megan Thee Stallion just dropped another coordinated effort, and I can sincerely say I didn't see this coming in any capacity. The joining of these two Femal MCs is unadulterated, clamorously great; it's a remix of Bhabie's recently released a track that will presently live on as the go-to tune for BFFs who love both chaos and melodic. 

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The situation occurred in late April, with Gibbons transferring film to YouTube on April 23. In the video, the youngster asked Offset "What's going on?" when the rapper got close him. It would seem that Offset pulls his hand back and smacks the telephone; nonetheless, the clasp doesn't demonstrate what Gibbons' telephone looks promptly following the occurrence. Per TMZ, Gibbons guarantees that after the telephone hit the ground, Offset instructed him to get the "fuckin' telephone out of my face" before leaving the store. After the high schooler documented a police report, Offset was hit with a lawful offense capture warrant. Gibbons is said to have documented a report with police last Friday. The crime qualification is because of the expense of the gadget being referred to, which is seen here with a broke screen.

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